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involved with them had the same impres- sion” (p. 81). Cohen also describes strategies in “a key document” of the Zionist
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God's Wonder”: Marble as Medium and the Natural Image in Mosques and Modernism | West 86th: A Journal of Decorative Arts, Design History, and Material Culture: Vol 23, No 2
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Between Cult and Culture: Bamiyan, Islamic Iconoclasm, and the Museum
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